26 Mar
2005
26 Mar
'05
6:08 a.m.
Use the resonant Filter in combination with the ADSR envelope or LFOs.
You are able to morph a "thudd" into a "foomp"
or bring life to synth-pads with a moving Filter.
You have to bring Dynamics into play, not just adding resonance to a fixed Filter.
What makes a Jupiter's Filter powerful is it's envelope.
Niko
"Petrit J." <petrit(a)noos.fr> schrieb am 26.03.05 05:51:45:
Thank you, I noticed what it does on a waveform on my Jupiter, but I found
playing with cut off and resonance so different on a sample, that I was
wondering why it may be so important for some to have resonant filters on
samplers.
I may not be in the right scene of music, but I read and heard everywhere
about legendary S-760 or E-Mu filters...just curious cos I never used my
samplers for anything else than playing back samples cds or my own
insruments sampled.
Petrit
28 Mar
28 Mar
7:49 p.m.
New subject: Re :The resonant filter
niko_s(a)web.de:
Use the resonant Filter in combination with the ADSR
envelope or LFOs.
You are able to morph a "thudd" into a "foomp"
or bring life to synth-pads with a moving Filter.
You have to bring Dynamics into play, not just adding resonance to a fixed
Filter. What makes a Jupiter's Filter powerful is it's envelope.
This is exactly the point - it's usually some sort of filter sweep that
makes it more interesting.
"Petrit J." <petrit(a)noos.fr> schrieb
am 26.03.05 05:51:45:
>
> just curious cos I never used my
> samplers for anything else than playing back samples cds or my own
> insruments sampled.
Well, it all depends on the nature of the sampled sound. If you just
want to accurately play back sample libraries, you don't need the filters.
Likewise, I think sounds without sufficient harmonic content don't get
much out of filters. But if you are interested in serious sound mangling,
not just reproduction, they are a useful additional tool.
Cheers,
Bernie
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